Reflecting on his time with STAR TREK,
Michael Piller explained that
Gene Roddenberry somewhat restrictive approach to stories was a blessing, not a curse.
"I used to call it 'Roddenberry's box'," he told Star Trek Monthly. "A lot of writers simply couldn't stand the claustrophobia of Roddenberry's universe. They didn't understand how to write stories that didn't have human conflict in them."
Rather than seeing it as a problem, Piller saw it as a challenge. "I learned very early in the game that by setting these boundaries Roddenberry was forcing us to be more creative than we might ordinarily be. You couldn't just find some tired old human story and do a retread. You really had to work hard to find a way to make it work in Roddenberry's universe, because it put these restrictions for you. It made us tell better, more original, unique stories."
"The years with STAR TREK, and my 40's, were the highlight of my life," Piller said "I had a great decade with STAR TREK." Piller revealed that he had been a fan of TNG before becoming a staff writer, and that he had suggested to Roddenberry some ideas about developing the show's characters. "[Roddenberry] said, 'Don't worry about the science fiction', and he was right about that, although it tool me a few months to learn, and it was a trial by fire," Piller said.
Looking back on THE NEXT GENERATION, he's proud of 'The Best of Both Worlds' but look towards 'Unification' as a disappointment "I have always felt the 'Spock' show didn't fulfil its potential," he admitted. "I felt it was a historic opportunity. I like the first half - setting it up - that Jeri Taylor wrote, but I was disappointed with my own work."
Piller disagreed with the views that DEEP SPACE NINE, which he co-created and executive-produced with Rick Berman, moved from Roddenberry's ideals. "DEEP SPACE NINE is at the heart of what Roddenberry is. It says that fundamentaly there is the ability to co-exist," Piller told the magazine.
Reflecting on VOYAGER, which Piller left as executive producer at the end of season two, he has some mixed feelings. "It was decided [by the studio] almost from day one that the moment they got stranded together [the two crews] would put aside their differences and be a happy family," explained Piller. "I think that hurt the potential of VOYAGER. We weren't able to play the natural distrust and conflict or explore the interesting arcs to relationships that could have evolved as a result of the kind of things we set up there."
Piller also felt there was too many episodes that went for action over story. "I loved the finale, I thought it was full of the kinds of story that I love to tell. But there were many, many things in between that I found remote." Piller did find many positive things with the show thought, in particular the inclusion of a new cast member. "I like the cast of VOYAGER a great deal. I thought we had some great characters - 'the Doctor' was an outstanding character. But frankly the show did not really come together for me until 'Seven of Nine' came aboard, that was because she brought conflict."
The full interview, where Piller also talks about DEEP SPACE NINE, NEMESIS and THE DEAD ZONE can be found in issue 104 of Star Trek Monthly. Thanks to AntonyF for the transcript.
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