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Piller Reflects on His Days with TREK, What Went Wrong with VOYAGER

PROMENADE





Posted: 13:59:26 on May 03 2003
By: GustavoLeao
Dept: General Star Trek
Reflecting on his time with STAR TREK, Michael Piller explained that Gene Roddenberry somewhat restrictive approach to stories was a blessing, not a curse.

"I used to call it 'Roddenberry's box'," he told Star Trek Monthly. "A lot of writers simply couldn't stand the claustrophobia of Roddenberry's universe. They didn't understand how to write stories that didn't have human conflict in them."

Rather than seeing it as a problem, Piller saw it as a challenge. "I learned very early in the game that by setting these boundaries Roddenberry was forcing us to be more creative than we might ordinarily be. You couldn't just find some tired old human story and do a retread. You really had to work hard to find a way to make it work in Roddenberry's universe, because it put these restrictions for you. It made us tell better, more original, unique stories."

"The years with STAR TREK, and my 40's, were the highlight of my life," Piller said "I had a great decade with STAR TREK." Piller revealed that he had been a fan of TNG before becoming a staff writer, and that he had suggested to Roddenberry some ideas about developing the show's characters. "[Roddenberry] said, 'Don't worry about the science fiction', and he was right about that, although it tool me a few months to learn, and it was a trial by fire," Piller said.

Looking back on THE NEXT GENERATION, he's proud of 'The Best of Both Worlds' but look towards 'Unification' as a disappointment "I have always felt the 'Spock' show didn't fulfil its potential," he admitted. "I felt it was a historic opportunity. I like the first half - setting it up - that Jeri Taylor wrote, but I was disappointed with my own work."

Piller disagreed with the views that DEEP SPACE NINE, which he co-created and executive-produced with Rick Berman, moved from Roddenberry's ideals. "DEEP SPACE NINE is at the heart of what Roddenberry is. It says that fundamentaly there is the ability to co-exist," Piller told the magazine.

Reflecting on VOYAGER, which Piller left as executive producer at the end of season two, he has some mixed feelings. "It was decided [by the studio] almost from day one that the moment they got stranded together [the two crews] would put aside their differences and be a happy family," explained Piller. "I think that hurt the potential of VOYAGER. We weren't able to play the natural distrust and conflict or explore the interesting arcs to relationships that could have evolved as a result of the kind of things we set up there."

Piller also felt there was too many episodes that went for action over story. "I loved the finale, I thought it was full of the kinds of story that I love to tell. But there were many, many things in between that I found remote." Piller did find many positive things with the show thought, in particular the inclusion of a new cast member. "I like the cast of VOYAGER a great deal. I thought we had some great characters - 'the Doctor' was an outstanding character. But frankly the show did not really come together for me until 'Seven of Nine' came aboard, that was because she brought conflict."

The full interview, where Piller also talks about DEEP SPACE NINE, NEMESIS and THE DEAD ZONE can be found in issue 104 of Star Trek Monthly. Thanks to AntonyF for the transcript.

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We've seen this before...
By Xenoclone ( chris@xenoclone.com) at 02:16:50 on May 04 2003
URL: http://www.xenoclone.com | User Info
...but in Steve's edit, it was missing Piller's opinions about Voyager...methinks he liked it too much, lol.

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"Unless we learn to live together as brothers [and sisters] we will die together as fools." -Martin Luther King, Jr.

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Too little Voyaging!
By SigmaPi2980 ( ) at 00:03:24 on May 04 2003
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I can honestly pray that I don’t elicit too much criticism or anger, but I just don't understand your attitude toward Voyager. One of the things that made TNG great was Data, and how he yearned for something he could never have, humanity, but he actually obtained humanities most unique and wonderful characteristics. The EMH was much the same, but he never wanted to be human, just wanted to be something more then a medical slave, and he obtained that through many internal conflicts with his own nature going up against the crews. The same with Paris. A sarcastic convict who was just happy to be out of prison and away from his father, developed so much from his experiences that he became a husband and father.

Okay, you can pretty much go over every character from Trek, main and secondary, and dissect how they grew, as that has a lot to do with how great Trek is. Voyager had its problems, sure, like any of the Treks, but don’t believe it lacked in any of the basic ideals that made Trek so popular. Exploration of space and what humanity is, diversity, morals, ethics, love… Please go on.

TNG was my first love, and I disturbingly mean that. DS9 was fun, great drama, a different take. But Voyager was a good friend, who at least to me, reminded me how important home is. I don’t think Voyager was better then the others, but I do take exception to how awful some think it is compared to other Treks. Again, I’m not being confrontational, just questioning.

Sure, the Maquis Starfleet arc was resolved too quickly. Kes was weak; Neelix Chakotay and Kim were still trying to find time by the end. 7 was over done as were the Borg. The writing seemed tired at times, only reflecting the actual writers who wrote themselves into a box.

But the one thing I will always love about Voyager, I.E., one of its characters, was Captain Kathryn Janeway. Now that right there is enough for a fight, but I don’t want one. One of the things I’ve noticed that was very hated about Voyager was Janeway. Maybe it was Mulgrew herself, or how she wore the uniform, but Janeway was one of the best characters in Trek to me. Self righteous, arrogant, and even a bit of a God complex, but she was ethical, moral, and was the strength that kept that crew together on course for home. She always held firm to her Starfleet training, even when it called for violating some of the most important edicts she learned, and she always remained true to the uniform and if Trek was real, and I’ll admit something that many wouldn’t that I wish it was, she would be admired by many and at the very least respected. She was daring like Kirk (Scientific Method), ethical like Picard (Latent Image), strong like Sisko (Macrocosm) and cautious like Archer, (The Omega Directive). Hey, I'm sure there are better examples, but those are just a vague few that if read into them the way I believe then you can hopefully see what I mean… Or at least tell me my opinion is crap and that I don’t know Trek like any of you do.

Sorry to be so defensive there, but I’ve read some of the catfights on these boards and don’t think my delicate Republican psyche can take it right now.

Frasier on Bebe: “She's rather hard to get hold of these days.”
Niles: “Oh really. I thought one just drew a pentagram on the floor and chanted "I summon thee" three times.”

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Polite Piller on Vacant Voyager Vacation
By LarenRo ( ) at 23:20:03 on May 03 2003
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"I loved the finale, I thought it was full of the kinds of story that I love to tell. But there were many, many things in between that I found remote."

Piller is being very generous with his criticism. As for 7of9 being the bringer of conflict, that's all well and good, but if a character/plot device is overused to the exclusion and the detriment of other character's development, then the show's mission and promise becomes a very wasted one indeed.

A friend of mine compared the end of Voyager to a long, uneventful bus ride. People got on - people got off - but save for a 'holo-doc' who somehow become 'sentient' with absolutely no rhyme nor reason attached therein and a Borg drone who argued alot with Captain Janeway, I can point to no other dramatic or narrative merits to the whole 7 years. The Voyager bus did indeed come home to Earth Grand Central Terminal. And instead of having a wonderful dramatic coda or deep retrospective, we're treated to Janeway muttering, "We're home."

UPN/Paramount and the producers opted for the cheap, sensationalist end full of Borg battles, time travel and bad old age make-up. TNG ended with a philosophical reflection on Picard's life and the very meaning of time, DS9 treated us to the mother of all space battles that actually meant something to whole races of people and most of all to DS9's crew - with Voyager, the bus just ran outta gas. Hitched a ride on a Borg ship and sputtered on home - limp and lifeless.

Just sad.


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Laren Ro

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It's the redundant department of redundancy!

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-James

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