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Keating Talks Shipboard Security in S3, Billingsley Says Episodes Too Short

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Estate Auction on Sat Aug 9, 2003 10 AM. Click for pictures and a list; there are Star Trek cells that someone may be interested in and other Star Trek Items and a 3D picture.





Posted: 09:05:58 on July 26 2003
By: Steve Krutzler
Dept: Enterprise | stenterprise.com
Speaking at the UPN after party for the Television Critics Association this week, ENTERPRISE actor Dominic Keating ('Reed') and John Billinsley ('Phlox'), among other members of the cast, spoke with the official STAR TREK web site about the upcoming season. Keating spoke at length about the new security contingent aboard the ship this year, displacing some of his character's responsibilities.

"There is some frisson there, there is a little tension," he said. "There's a good scene between me and Steven Culp, who plays Major Hayes. My instinct as an actor was to play it a bit rudely, but Allan (Kroeker, director of the season premiere 'The Xindi') came over and said, 'You know what? Don't give too many of your cards away just yet — there's a ways to go with this.' I don't think Malcolm's particularly happy in some respects — his ego is allowing him to think that he's been passed over. But I think professionally he understands that they need to be there."

Keating, who says the original shooting script for "Anomaly" included a sexually-tense exchange between Reed and Julia Rose's MACO 'McKenzie' that was eventually taken out, says Malcolm is approaching the presence of the new characters cautiously.

"They have not actually been in the field, and we have had two and a bit years in the field, baby, and there's nothing that can replace that! So I'm playing it with a slight quizzical look in the eye — 'You better be up to it. You look like you're up to it. Your papers say you're up to it. Are you up to it?'"

Cast mate John Billingsley also spoke about the new season, and some of the criticism the show has received.

"Personally I think what I always liked about the Original Series was that they did a Vietnam show, and they did a racism show, at a time when those issues were real hot-button issues in this country," Billingsley said. "The biggest hot-button issue in this country right now is, how much of our freedoms are we willing to set aside for security? I think that's what the show is potentially going to be asked to grapple with, and I hope they do."

The Doctor Phlox actor also told the site that the ENTERPRISE episodes may not be long enough to do the stories justice.

"I think it's unfair and unfortunate that the writers get almost all of the heat for the perceived problems of the show. I think the problem with the show is that there's only 39 or 40 minutes for each episode, which isn't enough time to tell a nuanced story driven by character with multiple layers of meaning." To illustrate, he talked about a pickup scene (one shot after principal photography) he did during the second season: "The director said, 'We have 39 seconds to do this scene.' Which meant that I was basically being asked to spit-out-the-words-as- quickly-as-I-could-so-we-could-get-the- scene-into-39-seconds! That's a problem. And that has nothing to do with the writers. Give us four more minutes! Let us tell a better story!"

For more quotes from the ENTERPRISE cast, check out this page.

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Season Three (2003-2004)
Prod #Title Airdate
153 The Xindi 09/10/03
154 Anomaly 09/17/03
155 Extinction 09/24/03
156 Enemy Advances 10/01/03
Season Two (2002-2003)
Season One (2001-2002)
TREKWEB TALKBACK
(41 comments)
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Length of Episodes
By Cymro ( cymro_@hotmail.com) at 10:46:10 on July 30 2003
URL: http://astrobar.visitor-tales.com | User Info
I read an interview the other day on Brannon Braga's website where he said he prefered Shorter Episodes because they were easier to write, so I can acctually blame him for his half assed writing, and not his length restricions. I've heard him say before that he wishes the show were shorter as well, remember that time when he said he'd rather work on a show like the Sopranos because there's only 13 episodes a season?

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"Blackmail is such an ugly word, I prefer extortion, the X makes it sound cool."
- Bender(Futurama)

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Poor Billingsley!
By Victor ( ) at 10:01:20 on July 28 2003
URL: | User Info
As one of the show's critics, I will take this opportunity to praise one aspect of it:

1. Billingsley is the best damn thing this show has going _ Period.

2. He has done a phenomenal job with his character and was the standout actor in EVERY ENT show I have seen...EVEN when he was not involved in the primary plot.

3. My praise for him takes me by surprise because I was not predisposed to like the idea of a quirky alien on board after Voyager's dismally unfunny Neelix.

Billingsley's excellence actually makes me feel bad that the show is sputtering.

He's the only one who seems to know his character, the only one with a recognizable personality and the only one with reoccuring traits that are interesting.

He's the only character that makes us think or challenges our perceptions _ and he pulls off the Alien strangeness very well, unlike T'Pol's one dimensional Vulcan performance.

Victor

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A Thought
By Maestro ( ) at 15:10:12 on July 27 2003
URL: | User Info
In ST:FC, Picard reported to an Admiral Hayes. Could Major Hayes be an ancestor of his?

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I'm all for ethnic diversity but this is just pandering. -Lisa Simpson

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Hey! They're learning!
By TREKMAN85 ( TREKMAN85@aol.com) at 20:43:02 on July 26 2003
URL: | User Info
Keating said that there was "a sexually-tense exchange between Reed and Julia Rose's MACO 'McKenzie' that was eventually taken out." Do you think they're starting to cut back on the sexuality in the show?

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TREKMAN: The MAN Who Knows His TREK

In space, no one can hear you fart. . .
but they can smell it.

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Billingsley is just making excuses for the writers; other shows, such as Buffy and Angel, have to deal with similar episode lengths, yet they manage to accomplish much more than ENT does.

Also, if ENT is so pressed for time, they could just remove the credits sequence and list the regular cast at the beginning of the first act. That would free up nearly a minute, if not more. Maybe Billingsley wouldn't have to rush through his lines, then... LOL.

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"I don't know that atheists should be considered as citizens, nor should they be considered patriots."
-George H. W. Bush, August 27, 1987

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aren't other shows shorter, too?
By dx31701 ( ) at 17:19:27 on July 26 2003
URL: | User Info
I will not argue with the point that commercials take up too much of the hour from the storytelling POV, but what makes Enterprise special in this regard? Are not all shows limited by modern running length vs. commercial constraints? Aren't some of the other shows that face the same time constraints as Enterprise turning out quality, critically acclaimed episodes?



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Time and serialising
By Hbasm ( ) at 13:18:52 on July 26 2003
URL: http://home3.inet.tele.dk/huas/st_enterprise/ENT-page1.htm | User Info
Perhaps a serialised show is something that needs a loyal audience, which Enterprise doesn't have enough of. But it could solve some problems with time. For example the episode Judgment:

I loved how the writers dared to let Archer be found guilty, and sent to an ice cave. But it was a shame that he was saved so soon and apparently so easily. Later we learn that "noone ever escaped from Rura Pentae" in the episode Bounty.

It would have needed another way of working, to allow an episode like Judgment to remove the captain from a few upcoming episodes. But that kind of consequences would help many stories.

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More time for the stories would help a lot!
By Deslok ( hammond_ecks@hotmail.com) at 09:23:40 on July 26 2003
URL: http://40eridani.bravepages.com/welcome.html | User Info
"I think it's unfair and unfortunate that the writers get almost all of the heat for the perceived problems of the show. I think the problem with the show is that there's only 39 or 40 minutes for each episode, which isn't enough time to tell a nuanced story driven by character with multiple layers of meaning." To illustrate, he talked about a pickup scene (one shot after principal photography) he did during the second season: "The director said, 'We have 39 seconds to do this scene.' Which meant that I was basically being asked to spit-out-the-words-as- quickly-as-I-could-so-we-could-get-the- scene-into-39-seconds! That's a problem. And that has nothing to do with the writers. Give us four more minutes! Let us tell a better story!"

Point taken. There are a lot of limitations to producing this stuff I'm sure. Most of the really questionable writing decisions were rooted in season one. It has been a very slow ascension but I see the improvements.

One way they can have a little more time to get more out of their story concepts would be to cut that god-awful opening sequence down to it's bare bones! The images are cool but the music is downright putrid and I would prefer not to have to hear it. It's hard enough to try and remain positive and unbiased without having that song set the tone for the rest of the hour. They do need more time for the stories and many people won't miss that crappy opening song. It detracts from the show for many, and those who actually like the song can buy the CD.

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Porthos is the loneliest dog in existence.

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